THE LOBBY
, 2018
Installation for On The Road: 10 Jahre Caravan, Aargauer Kunsthaus

- Sophie Täuber-Arp: CELLULE DE RELIEF, 1936 (Collection Aargauer Kunsthaus)
- Alberto Giacometti: BUSTE D’HOMME, 1956 (Collection Aargauer Kunsthaus)
- Sound: Arthur Honegger: 01 PADUANA POUR VIOLONCELLE SEUL H. 181, 1945
Interpret: Christophe Pantillon (Album Paroles de violoncelle, 2014, Gramola Records), 3:10 min, loop: 12 min
- Sofa: LC2, Design: Le Corbusier, Charlotte Perriand, Pierre Jeanneret, 1928 (Private Collection)
- Coffee table: LC10, Design: Le Corbusier, Charlotte Perriand, Pierre Jeanneret, 1928
- Book: Jakob Burkhardt, Die Kultur der Renaissance in Italien, 1860

- Video: BEELZEBOSS AND THE SOLDIER’S FIDDLE, Thomas Moor, 2018
loop 2:56 min
Re-edit of a video sequence found on Youtube of Clown Dimitri playing the devil in Histoire du Soldat
Recorded at Grand Théâtre de Genève, November 2009
Realisation, concept, set design: Dimitri
Based on the libretto Histoire du Soldat by Charles-Ferdinand Ramuz and Igor Stravinsky, 1917

- FLEECE, Thomas Moor 2018
Shredded Swiss bank notes (8th edition), paper mache, pressed, framed


Installation views THE LOBBY, Aargauer Kunsthaus 2018
Photo: ullmann.photography


Fleece (Astoria), 2018
Shredded swiss bank notes (8th edition), paper maché, pressed, framed
75cm x 57cm


Installation view THE LOBBY, Aargauer Kunsthaus 2018


Fleece (Azul Platino), Fleece (Jura), both 2018
Shredded swiss bank notes (8th edition), paper maché, pressed, framed
98cm x 75cm each


Fleece (Pallisandro Classico), 2018
Shredded swiss bank notes (8th edition), paper maché, pressed, framed
75cm x 57cm


Fleece (Olten Haze), 2018
Shredded swiss bank notes (8th edition), paper maché, pressed, framed
75cm x 57cm


BEELZEBOSS AND THE SOLDIER'S FIDDLE, 2018
loop 2:56 min


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